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Serge Daney in English
Tuesday, December 20, 2005
Nanni Moretti piece?
I've received a note from
Steve Erickson
mentioning a piece from an art anthology about Nanni Moretti and images of motion in his films. Does anyone have a precise reference for this text or, even better, electronic copies?
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About Serge Daney
Who is Serge Daney?
Why is his work not translated?
Database of Daney articles
Serge Daney's bibliography
Read Daney in English
1984
A Critical Time for Criticism
A Moral of Perception
A Morals of Perception
A movie maven's farewell
A nothing on a ground of soft music (Jerry Lewis)
A ritual of appearance (Mitterrand)
A ritual of disappearance (Giscard)
A tomb for the eye (Straubian pedagogy)
A touch of Hell
A true fake Bruce
Accident (Losey)
Alien: come what may
Allan Dwan (1885-1981)
Amos Gitai, tonight
Ana - Antonio Reis
André Bazin
Apocalypse Now
Archimède’s TV-drama
Averty for ever
Baby seeking bathwater
Back to the future
Balls so heavily loaded
Before and After the Image
Beineix, Opus 1
Cannes 1984: Angelochronopoulos
Cannes 1984: Auteurs: High and Low
Cannes 1984: Bergman, After the Competition
Cannes 1984: Cannes-speak
Cannes 1984: Counting Your Chickens...
Cannes 1984: Dial G for Georgia
Cannes 1984: English TV Goes to the Movies
Cannes 1984: Fort Saganne, Three Hours Without Drinking
Cannes 1984: Herzog with the Abos
Cannes 1984: Introduction
Cannes 1984: Leos Carax, First Time
Cannes 1984: Muslims and Hindus in Colour
Cannes 1984: Pitching and Rolling Aboard The Pirate
Cannes 1984: Skolimowski: at any Cost
Cannes 1984: The Karma of Images
Cannes 1984: The Quilombo Utopia
Cannes 1984: The Winners
Cannes 1984: Twice Upon a Time in America
Cannes 1984: Valérie Kaprisky, Eulogy of the Nude
Cannes 1984: Vertigo
Ceddo
Cine-meteorology (Straub / Huillet)
Circle of Deceit
Citizen Cain
Clair, grandad of the music video
Colourful DeMille
Cop in the box (Melville)
Coppola, Made in Tulsa: Rumblefish
Coup de torchon (Tavernier)
Deadly dubbing
Donskoy Retrospective
Doped up Marilyn
Falling Out of Love
Film criticism: before and after
For a Cine-Demography
Frank (Tashlin) and Jerry (Lewis)
Franz Kafka, Strauboscoped
From projector to parade
From the large to the small screen
From the star to the celebrity
Gertrud
Ghatak's clunker
Ginger and Fred
Gray Matter (Jaws)
Griffith shows us a thing or two
Heavens, a telefilm!
I, Christiane F., 13, Junkie, Prostitute...
Illegal history
Implausible Truth (Lang)
In Praise of Emma Thiers
In Praise of Tati
In search of Arthur Pelechian
In stubborn praise of information
In the water
Introduction to Indochinema: Dust of Empire
Jean de Florette
John Ford for Ever
Journey of a cine-son
Kramer v. Kramer
L'enfant secret (Garrel)
La rampe (Daney's first book)
La Truite (Losey)
Lara, inn-keeper
Last thoughts; birth of a journal
Laura's aura
Le Choc - with Alain Delon
Leone at war
Les demoiselles de Rochefort
Les Morfalous
Like old couples, cinema and TV have wound up looking alike
Liliom's arms
Losey: 5 paradoxes
Ludwig: Viscontians, One More Effort
Mad Max, Opus 2
Mannerism
Marilyn
Mark images
Max, My Love
Microfilm: Ogawa Shinsuke
Minnelli caught in his web
Miss Oyu
Mizoguchi, the good distance
Montage obligatory
Murmur of the world (Robert Kramer)
Neo-Tosh
New Grammar
New Wave: Genealogical approach
Nick Ray and the house of images
Night of the Living Dead
North by northwest
Not reconciled. Jerry Lewis' Smörgasbord
Notes on Saló
On "Salador"
On French cinema
On Le Pont du Nord
On paper
On television
One from the heart (Coppola)
One more bear (Dersu Uzala)
Our Marriage really holds up
Paris, Texas
Points of view
Political Space - Stories of A
Preface to Here and Elsewhere (Godard)
Preminger - The rules of the game
Re-mise en scene
Rear Window
Rio Bravo, An Adult Art
Rio Lobo, The One Grows Old
Rossellini, Louis XIV, the first
Saint Zelig, pray for us (Woody Allen)
Sink the Herring!
Sirk in Munich
Spring Rolls
Stalker
Stella, ethics and existence
Strange bodies (Blake Edwards)
Straub rachâche
Telelvision and its shadow
Television: Caretaking and Maintenance
Tennis' Telegenic Advantage
That's cinema (Witness)
The aquarium (Robert Kramer)
The colours of pomegranates
The critical function
The cruel radiance of what is (Van der Keuken)
The Death of Buñuel
The death of Glauber Rocha
The dog and the rope (Hitchcock)
The Dumbo case
The essential Buñuel
The eye was in the tomb and watched Franju
The famous last scene
The Forbidden zoom
The Go-Between (Losey)
The Godard paradox
The Image Pit
The last temptation of the first Rambo
The market of individuals
The militant ethnography of Thomas Harlan
The monster is afraid (Lynch)
The non-legendary period of Cahiers
The Off-Screen Discourse
The organ and the vacuum cleaner
The passeur
The Pirate isn't just decor (Minnelli)
The raw and the cooked
The screen of fantasy
The serpent's egg (Bergman)
The small sentence (Chahine)
The smash of rage
The star and the leftovers (Bardot)
The State - Syberberg
The Straubs
The t(h)errorized (Godardian pedagogy)
The theatre of entrances (John Ford)
The thread (Eustache)
The tracking shot in Kapo
The Two-Headed Star
The verdict (Lumet)
The visitors (Kazan)
The Way South (Van der Keuken)
The world seen from above
Three years after the Dragon
Toute un nuit (Akerman)
Tron, the film
Twin Peaks (Lynch)
Uranus, mourning for mourning
Vecchiali shoots in sequence
Vertigo / Sueurs froides
Waiting for the snow
Walsh draws kings
Welles in Power
What Out of Africa produces
Which Way to the Front?
Wim's movie
Wings to attempt to land (Wenders)
Zurlini, from the back
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Nanni Moretti piece?
Quotes and bits
Interviews
Daney's texts in English editions of Cahiers du ci...
Gilles Deleuze - Letter to Serge Daney: Optimism, ...
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November
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