La rampe - Table of contents

[Update 13/03/2014: addition of a link to a translation of "On paper"]

[Update 03/01/2014: addition of a link to a new translation: Re-mise en scene]

In the past weeks, I've published Serge Daney's introductory texts to each chapters of his first book, La rampe. To give a sense of how much of the book is already translated (and what is not), here's the complete table of contents, with links to translations.

La rampe

Taking a view (1970-1972) – Violence and representation (saving the screen)

• On Salador (cinema and advertising) 
• The one grows old (Howard Hawks and Rio Lobo)
• The screen of fantasy (Bazin and the beasts) 

Points of view 1 (1974-1976) – Adding in the filmmaker’s eye (militant cinema)

• The political space (Histoires d’A)
• On paper (nationality: immigrant)
• Re-mise en scène (Ivens, Antiononi, China)

Points of view 2 (1975-1978) – Adding in the filmmaker’s body (morality and engagement)

• A tomb for the eye (Straubian pedagogy) 
• The therrorised (Godardian pedagogy)
• The aquarium (Robert Kramer and Milestones) 
• One more bear (Kurosawa and Dersu Uzala) 

Vanishing points 1 (1975-1980) – Engima-bodies (paranoid politics)

• The “off” discourse (Illumination by Krzyztoff Zanussi)
• Notes on Salo
• Grey matter (Jaws by S. Spielberg) (extract)
• The Syberberg-state (Hitler, a film from Germany)
• Praising Tati (extract)
• What did they say? (Ceddo by Ousmane Sembene) 
• A morals of perception (From the clouds to the resistance by Straub-Huillet) 
• The fury of story-telling (The big red one by S. Fuller)

Vanishing points 2 (1977-1981) – Language-bodies (It speaks)

• The organ and the vacuum cleaner (Bresson, the Devil, the voice-over and other things)  
• Praising Emma Thiers (Jean-Claude Biette’s realism)
• The raw and the cooked (the state of French cinema, 1980) 
• Wim’s movie (Wim Wenders and Nicholas Ray)

La rampe (bis)

Postscript