It brings together a selection of articles from two columns that Daney wrote for the French newspaper Libération (between October 1988 and April 1991) and a lengthy interview with Philippe Roger conducted in January 1991.
Over the years, many of the texts have been translated, especially with the 30 texts published recently on this blog for the Ghosts of Permanence series. So here's the entire table of contents of the book with links to translations (and the film reference where relevant).
What Out of Africa produces
(Out of Africa, Syndey Pollack, 1986)
Les Baccantes mises à nu
(Ah! The Nice Moustache or Peek-a-Boo, Jean Loubignac, 1954)
Three years after the Dragon
(Year of the Dragon, Michael Cimino, 1985)
The Pirate isn't just decor
(The Pirate, Vincente Minnelli, 1948)
Neo-Tosh
(Marie-Antoinette, W.S. Van Dyke, 1938)
Stella, ethics and existence
(Stella, Laurent Heynemann, 1983)
Cop in a box
(Un flic, Jean-Pierre Melville, 1982)
Minnelli caught in his web
(Cobweb, Vincente Minnnelli, 1955)
That's cinema
(Witness, Peter Weir, 1985)
The last temptation of the first Rambo
(First Blood, Ted Kotcheff, 1982)
‘Wings’ to attempt to land
(Wings of desire, Wim Wenders, 1987)
Archimède's TV drama
(Archimède le clochard, Gilles Grangier, 1959)
Le Diable, maître du scénario
(Beauty and the Devil, René Clair, 1949)
Griffith shows us a thing or two
(Orphans of the Storm, D.W. Griffith, 1921)
The star and the leftovers
(And God Created Woman, Roger Vadim, 1956)
Zurlini, the stylist
(Violent Summer, Valerio Zurlini, 1959)
Un bon Lelouch ? Oui.
(Love is a funny thing, Claude Lelouch, 1969)
John Ford for ever
(She Wore a Yellow Ribbon, John Ford, 1950)
Qui aime Maurice Cloche?
(Rooster Heart, Maurice Cloche, 1946)
Beineix, Opus 1
(Diva, Jean-Jacques Beinex, 1981)
Mad Max, Opus 2
(Mad Max 2, George Miller, 1981)
A true fake Bruce
(Game of Death, Bruce Lee - Robert Clouse, 1972)
Clair, grandad of the music video
(Bastille Day, René Clair, 1933)
The essential Buñuel
(That Obscure Object of Desire, Luis Buñuel, 1977)
Leone at war
(The Good, the Bad and the Ugly, Sergio Leone, 1968)
Rossellini, Louis XIV: the first
(The Taking of Power by Louis XIV, Roberto Rossellini, 1966)
Zurlini, from the back
(Family Portrait, Valerio Zurlini, 1962)
Un Verneuil sans espoir
(La vingt-cinquième heure, Henri Verneuil, 1967)
Alien: come what may
(Alien, Ridley Scott, 1979)
Le roi était nu
(The King, Pierre Colombier, 1936)
Doped up Marilyn
(Let's Make Love, George Cukor, 1960)
Deadly dubbing
(Death Trap, Syndney Lumet, 1982)
Lara inn-keeper
(The Red Inn, Claude Autant-Lara, 1951)
Inusables cigognes
(The cranes are flying, Mikhail Kalatozov, 1957)
Downstairs, étude
(Downstairs, Monta bell, 1932)
Zefirelli, tchi tchi
(La Traviata, Franco Zeffirelli, 1982)
Realist Fellini (Ginger and Fred, Federico Fellini, 1986)
In the water
(Island of the Fishmen, Sergio Martino, 1979)
Laura's aura
(Laura, Otto Preminger, 1944)
Heavens, a telefilm!
(Silas Marner, Giles Foster, 2985)
Sissi impératrice
(Sissi, the Young Empress, Ernst Marischka, 1956)
Citizen Cain
(Citizen Kane, Orson Welles, 1941)
The Dumbo case
(Dumbo, Walt Disney production, 1941)
Illegal history
(Moonlighting, Jerzy Skolimowski, 1983)
Walsh draws kings
(The King and four Queens, Raoul Walsh, 1956)
La vie est un Donge
(The Truth about Bebe Donge, Henri Decoin, 1952)
Sink the Herring!
(Sink the Bismarck!, Lewis Gilbert, 1960)
A touch of Hell
(Inferno, Dario Argento, 1986)
Colourful DeMille
(The Ten Commandments, Cecil B. DeMille, 1956)
Liliom's arms
(Liliom, Fritz Lang, 1934)
THE PASSEUR
Interview with Philippe Roger
INFORMATION FANTASIES - from information to war
Les loges des intellectuels
For a cine-demography
A critical time for criticism
Autant-Lara n'est (vraiment) pas une merveille
Quand le rythme vient à manquer
Catéchisme audio-visuel
Le cinéma et la mémoire de l'eau
l'"Amour en France", et nous et nous et nous
Nicolae et Elena lèguent leurs corps à la télé
In stubborn praise of information
Le tour de l'info en voiture-balai
Uranus, mourning for mourning
Beauté du téléphone
Montage obligatory
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